今日從郵局取回的德制白頭佬
自己入手古典是從白頭佬此碟開始
所以特別對它情有獨鍾
手上有 4 個版本
舊的德版有 2 隻
分別是
Germany 和 Austria 製造
新的有 2 隻
分別是
XRCD 和 SACD
(Post76 Android 手機版送出)
kongchai 發表於 2016-4-18 09:53 static/image/common/back.gif
今日從郵局取回的德制白頭佬
自己入手古典是從白頭佬此碟開始
所以特別對它情有獨鍾
仲欠美版{:6_138:}
加油ar {:6_139:}
kl122002 發表於 2016-4-18 13:19 static/image/common/back.gif
仲欠美版
加油ar
應該重有隻 24K 金碟但二手價格驚人{:6_125:}
kongchai 發表於 2016-4-18 13:48 static/image/common/back.gif
應該重有隻 24K 金碟但二手價格驚人
以前聽過一次,
係可以收藏, 只是金碟聲硬少少. 或者值得和XRCD互相一比. {:6_141:}
常言道各大指揮有自已一套的樂團排法,
好似Renier, Toscanini, 福伯都是很傳純公整的; 卡爺, Duotoit, Dorati 等在錄音時間中改下位置
我想在古典歷史上改得最多的人是Stokowski, 而且其神功暫時無人能及
今年Gramophone找回了以前Stokowski一則訪問.
http://www.gramophone.co.uk/feature/90th-anniversary-interviews-leopold-stokowski
小小節錄:
He likes the Festival Hall – unlike many conductors – because he believes that the imaginatively designed boxes break up and reflect the sound. His own arrangement of the orchestra there, as I have experienced, is highly successful from the point of view of good sound. He places the basses at the back, the cellos in front of them, the rest of the strings on the left and the wind on the right. 'I always like to have the wind on my right. The reason for that is so much music is antiphonal between the strings and the wind, and that effect is lost if the winds are placed behind the strings. Besides the winds are delicate instruments, there are fewer of them, and they're apt to get submerged if they sit behind'.
今日收到的四季碟
(Post76 Android 手機版送出)
今日收到第 54 隻 Blue Face 碟
是 3 隻套裝
CDs 本身狀態好好
最可惜是其中一個 cd 盤的八爪有斷
只好找來其他盒頂住先
(Post76 Android 手機版送出)
好好聽 piano concerto型式 加大合唱{:1_326:}
在位損友手上成功取回,
仲有好兔只未追回, 唉....
kongchai 發表於 2016-4-18 09:53 static/image/common/back.gif
今日從郵局取回的德制白頭佬
自己入手古典是從白頭佬此碟開始
所以特別對它情有獨鍾
應該美版最好聲{:1_351:}
