hand神
發表於 2009-11-14 08:53
《明日之後》未計宣傳費製作成本要US$125M，全球收US$544M，但現今經濟唔好，睇嚟就算攞番《明日之後》同一個票房，都唔係賺得好多。
劉一舟 發表於 2009-11-14 02:14 http://www.post76.com/discuss/images/common/back.gif
今次sony有機會凍過水
但觀乎舊年套10000bc咁嚇人,emmerich都可以問到sony攞兩億去拍先好野
hohodog900
發表於 2009-11-14 11:43
有大陸市場嘛！
王晶套零零狗都收過憶，你話呢套收幾多！
ewartuen
發表於 2009-11-14 11:54
不過套戲都唔知有心定無意, 一陣又話大陸整幾隻"spaceship"好勁好快, 一陣就影射D大陸人偷渡! 一啖沙糖一啖屎!{:6_175:}
劉一舟
發表於 2009-11-14 13:51
今次sony有機會凍過水
但觀乎舊年套10000bc咁嚇人,emmerich都可以問到sony攞兩億去拍先好野
hand神 發表於 2009-11-14 08:53 http://www.post76.com/discuss/images/common/back.gif
我都係咁話.....但觀乎呢啲災難片始終有巿場，如意算盤響唔響就要睇套片嘅造化了。{:6_148:}
有大陸市場嘛！
王晶套零零狗都收過憶，你話呢套收幾多！
hohodog900 發表於 2009-11-14 11:43 http://www.post76.com/discuss/images/common/back.gif
上到畫先講。
鐵心心
發表於 2009-11-14 19:29
《末日救未來》加長豪華版：內容可能涉及劇情
尋晚喺四方Hse 6睇夜場十點，全院滿座，158分鐘片長，睇到凌晨十二點四十幾分，亦被震椅震足兩個幾小時，奇怪嘅係，不知是否太夜，一出片尾字幕，所有觀眾雞咁腳離開 ...
劉一舟 發表於 2009-11-13 14:36 http://www.post76.com/discuss/images/common/back.gif
哇.....大師{:1_248:}
我睇你分析完覺得好好好正
鐵心心
發表於 2009-11-14 19:30
E套戲係我本年度係戲院睇最滿意的一套了
ee21hk
發表於 2009-11-14 20:50
一定要入場睇........{:1_263:}
ewartuen
發表於 2009-11-14 20:57
唔係講笑, 真係仲激過睇金瓶梅
datacoma
發表於 2009-11-15 01:11
入場睇左，果然冇令我失望。特技同劇力都更勝明日之後..
推介入場睇呀！{:1_351:}
doubt
發表於 2009-11-15 01:14
上到畫先講。
劉一舟 發表於 2009-11-14 13:51 http://www.post76.com/discuss/images/common/back.gif
中國同步上左,官方"話"冇刪片,開畫screen數目打破TF2暑假的內地外語片記錄
今次sony有機會凍過水
但觀乎舊年套10000bc咁嚇人,emmerich都可以問到sony攞兩億去拍先好野
hand神 發表於 2009-11-14 08:53 http://www.post76.com/discuss/images/common/back.gif
今日deadline有提到呢方面問題:
Sony Pictures is saying this morning its 2012 opened as a runaway No. 1 with $23.7 million Friday, including $1M in Thursday midnights, for what's looking like a $61+M weekend. That's big for a PG-13 popcorn pic that's neither a previously established brand or franchise. Yet another in a long line of signature Roland Emmerich films featuring world destruction, this catastrophe film was anything but at the domestic and international box office. It became Sony Pictures' 8th #1 North American film this year by exceeding expectations due to a marketing campaign that went into overdrive 6 weeks ago.
As for 2012, Roland Emmerich of Independence Day, Godzilla, Day After Tomorrow and other pics in the apocalyptic genre, came to market with this spec script in February 2008 right before the release of his bomb 10,000 BC with its humiliating "9" Rotten Tomatoes score. Sony won a fairly competitive bidding war to get the property, but had to commit to a whopping 25% of the gross for Emmerich, as well as a staggering $200 million budget for 2012. (Film financing circles speculate the cost ballooned past $300M, maybe because of Roland's reputation for not controlling costs, but Sony execs vehemently deny this.) That said, all the money went to special effects on this 2 hour, 39 minute, nonstop series of deaths, explosions and collapsing buildings. Certainly not to actor salaries. (Seeing small movie standout Jon Cusack as the lead in this bloater, and you wonder why the filmmakers couldn't pay for a "real" action star.) Or a real script. (The more candid reviews advised audiences to "look, not listen".)
Yet this weekend's great numbers for 2012 prove once again the irrelevance of movie critics and bad buzz (only 36% positive reviews on Rotten Tomatoes) and the effectiveness of early and relentless marketing. Not to mention everyone's seemingly insatiable appetite for world annhilation especially when it targets iconic landmarks. "Really, how many times can you get away with destroying the White House? Nice touch taking out the Vatican, though, even with the Pontiff on the balcony," snarked a rival studio exec to me. (But when Emmerich proposed demolishing a sacred Muslim shrine, his colleagues freaked out about a possible fatwa -- and the idea was dropped.)
Awareness was high among all quadrants for 2012 with a slight edge to males under age 25 who also showed strongest definite interest and drove tonight's big box office since everything else in the marketplace for them was holdovers. Hollywood expects 2012 to be flat or down for Saturday. But even though the world didn't come to an end for Sony because of this budget-buster, with talk of another $150 million spent on global P&A, the studio has a long way to go to break even. "Even with some huge international grosses that are the hallmark of Roland's films, Sony isn't out of the woods yet," another studio competitor warned me.
The studio opened 2012 on Wednesday overseas in what has been a $22 million cume from 38 territories going into Friday when the pic expands into 100 countries. "From Day One, this has been a worldwide play for the studio. We have many highly-ranked opening days. Again, remember for a new, non-branded, non franchise title, this is shaping up nicely all over the globe," a Sony exec told me. Highlights so far included France with the 2nd biggest non-sequel opening day ever, and the 12th biggest opening day among all movies; and Russia, the 2nd biggest opening day ever; plus big numbers in Germany, Belgium, Korea, Poland, Australia, and Thailand.
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