Their advantages make a good counter proposal to more conventional speakers. Their dual woofers produced an even fuller sound than the 30cm woofer of my Harbeth M40.1. They weren't as agile or fast but the difference wasn't large. Their treble on the other hand was better than the British colleagues. I have no doubt that the M40.1 tweeter, no matter how fantastically integrated, isn't one of the seven world wonders. What surprised me was how the most important sonic characteristic of the S3900 was its dense coherent midrange. The speakers sounded tonally like a small Sonus faber Guarneri type monitor, albeit with powerful low bass. And yes it's possible to point out where their horns become audible. This manifests itself most apparent with the violin but isn't a particularly unpleasant irregularity. Either we accept it to have no problem or we can't to look elsewhere. Fortunately we won't have to gnash our teeth to covet where the S3900 really shines. The implied arrangement is clear. After some initial acclimatization and accommodation to this sound, we listen to violins with pleasure fully aware that it could be done better but also with peace of mind that other sonic aspects are truly unique.
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發表於 2017-12-27 23:22
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