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[討論] 窮人睇concert....之音魂不散

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 樓主| 發表於 2012-7-23 14:13 | 顯示全部樓層
幫主,我對細肥婆可唔可以好似你咁變蕉插呀?
beerboy 發表於 2012-7-23 02:04 PM



    得:不過要開箱改

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發表於 2012-7-23 14:18 | 顯示全部樓層
得:不過要開箱改
xover 發表於 2012-7-23 14:13



    大唔大劑既呢?
No Music No Life

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 樓主| 發表於 2012-7-23 16:00 | 顯示全部樓層
大唔大劑既呢?
beerboy 發表於 2012-7-23 02:18 PM



    吾大....拆个低音啫...

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發表於 2012-7-23 16:02 | 顯示全部樓層
吾大....拆个低音啫...
xover 發表於 2012-7-23 16:00



    換左蕉咁我睇戲可以用番對肥婆....
No Music No Life

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 樓主| 發表於 2012-7-23 16:08 | 顯示全部樓層
換左蕉咁我睇戲可以用番對肥婆....
beerboy 發表於 2012-7-23 04:02 PM



    洗乜咁Q麻煩...我砌个speaker selector咪得囉...
呢D中古野我勸你咪改....外表越原压越值錢....l我对M記都唔打算換插

SAM_0919.JPG

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發表於 2012-7-23 16:10 | 顯示全部樓層
洗乜咁Q麻煩...我砌个speaker selector咪得囉...
呢D中古野我勸你咪改....外表越原压越值 ...
xover 發表於 2012-7-23 16:08



    收到幫主....
No Music No Life

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 樓主| 發表於 2012-7-23 19:57 | 顯示全部樓層
JBL



THE EARLY YEARS

James Bullough Lansing was born James Martini, 14 January 1902, in Macoupin County, Millwood Township, Illinois. His parents were Henry Martini, born in St. Louis, Missouri, and Grace Erbs Martini, born in Central City, Illinois. The elder Martini was a coal mining engineer, and his work required that the family moved about quite a bit during Lansing's early years. Lansing was the ninth of fourteen children, one of whom died in infancy. For a short time, Lansing lived with the Bullough family in Litchfield, Illinois. He later took their name when he changed his from Martini to Lansing.

Not much is known about Lansing's early days, and we are indebted to Bill Martin, one of three surviving brothers, for providing most of the information presented here. Lansing graduated the eighth grade at the Lawrence School in Springfield, Illinois. He also attended the Springfield, Illinois, High School. Later, he took courses in a small business college in Springfield.

As a young lad he was very interested in all things electrical and mechanical. At about the age of 10, he built a Leyden Jar which he used to play pranks on his playmates. He also constructed crystal sets, and at one time, probably about the age of 12 or so, built a small radio transmitter from scratch. The signals from this set were apparently strong enough to reach the Great Lakes Naval Station in Illinois; naval personnel determined the source of these signals and later supervised the timely dismantling of the young Lansing's radio transmitter.

For a while Lansing worked as an automotive mechanic, specializing in fine engine repair work. He attended an automotive school for mechanics in Detroit through the courtesy of the dealer he worked for in Springfield.

Lansing's mother died 1 November 1924 at the age of 56, and at that time Lansing left home. As best we can determine, he went directly to Salt Lake City. Mrs. Lansing, the former Glenna Peterson of Salt Lake City, tells of meeting Lansing in 1925 in that city. At the time he was working for a radio station as an engineer. In addition, he worked for the Baldwin loudspeaker company in Salt Lake City for a time. He also met his future business partner, Ken Decker, in Salt Lake City.

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 樓主| 發表於 2012-7-23 19:58 | 顯示全部樓層
THE LANSING MANUFACTURING COMPANY

Lansing and Decker moved on to Los Angeles where they set up a business manufacturing loudspeakers to be used primarily in radio sets and and consoles. The Lansing Manufacturing Company was registered as a California corporation 9 March 1927. Just prior to this, James Martini changed his name to James Bullough Lansing. We have no idea why he chose the name Lansing, while most of his brothers had simply adopted the name of Martin.

Bill Martin came out to join his brother in 1930, and another brother, George, came at a later date. In 1930 there were no more than 40 employees at the Lansing Manufacturing Company. Some of the early products included armature loudspeakers, which are known today only as museum curiosities. Other loudspeaker products made use of traditional field coils as well as early permanent magnets.

This was truly a cottage industry. The family would make cones and wind coils at home in the evening, and the parts would be taken in to be assembled the next day. The company experienced hard times during these years of the depression. Most of Lansing's customers were radio set manufacturers, many of them located in the Midwest. The company's products were largely eight- and six-inch loudspeakers. What few larger models were made were used only in luxury console radios. The company established its permanent headquarters at 6900 McKinley Avenue in South Los Angeles.

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 樓主| 發表於 2012-7-23 19:59 | 顯示全部樓層
THE RISE OF THE MOTION PICTURE SOUND BUSINESS

In the late twenties, the success of "The Jazz Singer" established sound as the new standard for the motion picture theater. Western Electric, the manufacturing arm of AT&T, was destined to rule that business for many years. The vast resources of Bell Laboratories had been brought to bear on problems of recording, reproducing, and allied arts, and as a result they were able to mount the required technology for manufacturing in fairly short order. Electrical Research Products Incorporated (ERPI) was set up as a distribution company by Western Electric as a means of servicing the motion picture industry.

The early Western Electric theater systems were of one-way design consisting of large re-entrant type exponential horns. The Western Electric 555 driver was used with these large assemblies. Frequency response was band limited, and the range covered was probably no more than 100 Hz to about 5,000 Hz. Later on, Western Electric added a high-frequency unit as well as an array of low-frequency woofers to augment these systems. They used Jensen 18" woofers in open-back enclosures to supplement low frequencies and a device known as the Bostwick tweeter to extend the upper range. These additions to the basic one-way system appeared in 1931.

The sound department at Metro-Goldwyn-Mayer Studios was not happy with the augmented Western Electric systems. Specifically, they objected to the twelve-foot path length in the mid-range and its concomitant time delay relative to the low-frequency and high-frequency sections. The RCA systems of the same era were not even as good as the three-way Western Electric systems; they used a single eight-inch cone transducer mounted on a straight horn.

In 1933, Douglas Shearer, head of the MGM sound department, got the idea of building his own system. He enlisted the aid of John Hilliard, a young electrical engineer, and Robert Stephens, a design draftsman, who later was to found the Stephens Trusonic Company. John F. Blackburn, a physics graduate of the California Institute of Technology, suggested to Hilliard that MGM enlist the aid of James B. Lansing to manufacture components for the MGM system. The so-called Shearer horn system was introduced in 1936 and won an award from the Academy of Motion Picture Arts and Sciences for technical excellence. It was a large two-way system that had much in common with an earlier system that had been designed for auditory perspective experiments at Bell Laboratories. The Shearer system used high-frequency multicellular horns driven by a driver with an annular slit phasing plug. The low-frequency section of this system consisted of a large W-horn with fifteen-inch woofers operating in an open back configuration. Both woofers and high-frequency drivers had three inch voice coils. Flat wire was used in the high-frequency driver and round wire in the woofer voice coils.

There is no question that the Shearer MGM system set new standards for sound in the motion picture theater. The basic design was later adopted by many manufacturers around the world; both RCA and Western Electric adopted the basic approach for their later systems.

Western Electric objected to the use of annular slits in the high-frequency phasing plug the Lansing company had designed. Western Electric had patented this design, and as a way around this problem John Blackburn and Lansing devised a radial slit phasing plug, which they incorporated in the 284 driver. Later, Blackburn found a way around the Western Electric annular slit patent by noting in the literature that Bell and Tainter, in the early years of the century, had established prior art in the area of acoustical phonograph design.

Another important system that Lansing designed for the industry was the Iconic, a small two-way system using a fifteen-inch low-frequency loudspeaker and a small high-frequency driver, the 801 (later known in its Alnico form as the Altec 802), driving a small multicellular horn. The Iconic system gained wide popularity throughout the motion picture industry as a monitor loudspeaker; many two-way monitor systems of today are only minor improvements over this early system.

The United States government, taking note that Western Electric held a virtual monopoly in motion picture sound recording, forced that company to divest itself of all holdings in the sound recording business. Western Electric signed a consent decree in 1938 and sold the holdings of Electrical Research Products, Incorporated, to a group of engineers who were working for them at the time. The name, Altec, was coined for this occasion: Altec, a contraction of All Technical. The principals of this new company were George Carrington and E. L. Conrow. Their new company was called Altec Service Corporation and maintained contracts with theater chains around the country for system maintenance work. The Altec Service Corporation went about its business for two years without a source of new stock or parts. They used existing stocks of ERPI products where required, but their main business was service.

It became apparent to Carrington and Conrow that they would have to develop a source for new manufactured items if they were to be a viable force in the business on a long-term basis. In 1939, Ken Decker, Lansing's business partner and a reserve officer with the United States Army Air Force, was killed on maneuvers when the airplane he was piloting crashed. Without Decker, Lansing's business suffered, and it became apparent in 1941 that the sale of the company was the only way to keep it afloat. On 4 December 1941, the Altec Service Corporation bought the Lansing Manufacturing Company. They were reputed to have paid a price of $50,000 for the acquisition, and there were nineteen employees at the Lansing Manufacturing Company at that time. Lansing assumed the title of Vice-President of Engineering in the new Altec Lansing Corporation. Western Electric agreed to license the Altec Lansing Corporation to manufacture any and all of the proprietary designs that were covered by the consent decree. Royalties were never charged by Western Electric for items manufactured.

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 樓主| 發表於 2012-7-23 19:59 | 顯示全部樓層
THE ALTEC LANSING CORPORATION

With the new stability offered by the merger, Lansing was at last free to pursue his work without financial worry. During these years, he perfected many of the processes that have become standard in loudspeaker manufacturing around the world, including high-speed winding of flat wire voice coils on metal mandrels and hydraulic forming of high-frequency aluminum diaphragms. We should take note of two very famous systems that Lansing perfected in these years with Altec. The 604 coaxial loudspeaker of 1943 was a very successful combination of a small multicellular horn mounted concentrically with a 15-inch woofer. Working with John Hilliard, Lansing developed the A-4 theater system, a large two-way system standing about 8 feet high, which made use, for the first time in theater systems, of a low-frequency enclosure that was not open in the rear. The combination of horn loading through the mid-bass region and porting in the low-frequency range gave the system a level of low-frequency performance in the theater that had been unknown before. The high frequency section made use of a traditional high-frequency annular slit phasing plug driver with a three-inch voice coil, the model 288. The low-frequency transducer in the A-4 theater system was the model 515 loudspeaker, a fifteen-inch loudspeaker with a three-inch voice coil. It was the first low-frequency transducer to make use of flat wire. These early systems used field coil structures for attaining high flux levels in the transducers, since the permanent magnet materials of the day were not strong enough to provide the necessary field strength for these systems.

During the war years the Altec Lansing Corporation worked on a magnetic airborne detector, an airborne submarine detection system of extreme sensitivity. George Carrington was quick to note that the high energy magnetic material, Alnico V, used in this device would have great application after the war in loudspeaker designs. During the war years, Lansing's energies and talents were channeled solely into transducer and systems engineering.

In 1941, when the Altec Service Corporation bought the assets, goodwill and trade names of the Lansing Manufacturing Company, Lansing agreed that he would not go into business for himself for a period of at least five years. While there were continuing disagreements between Lansing and Carrington, Lansing did honor this commitment and in 1946, five years after the acquisition, he left Altec Lansing to form a new company. Everyone at Altec Lansing wished him well; they had known that he would eventually leave after the five-year commitment had been met.
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