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大佬John

Return of the King complete recordings 十一月頭
4CD 1 DVD

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咁正
咁咪貴到死

大佬John

都要買架喇...:L 真係有焗賭..

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Superman (Blue Box Deluxe Edition) (5/22/2008)
Indiana Jones and the Kingdom of the Crystal ... (5/20/2008)
The Dark Hour (5/15/2008)
The Best of Mark Isham (5/13/2008)
The Chronicles of Narnia: Prince Caspian (5/13/2008)
Iron Man (5/6/2008)
Speed Racer (5/6/2008)
Standard Operating Procedure (5/6/2008)
Sudden Impact (5/6/2008)
D'Artagnan and the Three Musketeers (4/30/2008)
Lost (TV) Season 3 (4/29/2008)
Stargate The Ark of Truth (4/29/2008)
Farscape (TV) Classics Volume 3 (4/25/2008)
Scenes of the Crime / A Child's Game (4/25/2008)
The Abandoned (4/23/2008)
John Adams (TV) (4/22/2008)
P.S. I Love You (score) (4/22/2008)
Varese Sarabande 30th Anniversary Celebration (4/22/2008)

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7月1號
dark knight

大佬John

http://www.screenarchives.com/title_detail.cfm?ID=9713


Under Fire (1983)  First U.S. Issue on CD
Bajo Fuego 5:34        Sniper 3:25        House of Hammocks 3:12        Betrayal 4:17        19 de Julio 3:28        Rafael 2:35        A New Love 3:43        Sandino 3:36        Alex’s Theme 3:38        Fall of Managua 2:27        Rafael’s Theme 4:10        Nicaragua 4:14


Under Fire(1983) was one of the best films Jerry Goldsmith ever scored in hisillustrious career—and earned him some of his best notices from themainstream press. The film stars Nick Nolte, Joanna Cassidy and GeneHackman as American journalists covering the 1979 Sandinista revolutionin Nicaragua. A love triangle forms between the characters, coincidingwith Nolte and Cassidy’s deepening involvement in the conflict in favorof aiding the leftist rebels.
Goldsmith’s masterful score combines several seemingly disparateelements: full orchestra, cutting-edge (at the time) synthesizers,guitar solos by the esteemed Pat Metheny, and pan pipes (actuallycommercial PVC piping cut to Goldsmith’s specifications). The pan pipesfor the indigenous peasant uprising were a bit of artistic license inthat the instrument is actually native to the South American Andes, notNicaragua. (When someone pointed this out to Goldsmith years later, hekidded, “Yes, I know that, and where have you been all these years?”)
The Under Fire score is a minor masterpiece, led by thehusky Sandinista march blending pan pipes and the eerie tones ofGoldsmith’s electronics—the composer’s background in science fictionscores perhaps came in handy for giving an eerie, otherworldly feel tothe film’s landscapes of countryside villages turned into bloodywarzones. Other themes evoke the love story between Nolte and Cassidy(this melody doubles as the romantic theme for the martyred Sandinistaleader—a narrative linking perhaps open to interpretation) and thelonely, odd-man-out Hackman character.
Under Fire was, in a way, the “gateway” score fromGoldsmith’s primarily acoustic experimentation of the 1970s to theelectronic rhythm sections he explored in the 1980s; never before hadhe used keyboards as such a driving force for the musicalconstructions, and in Under Fire the synthesized tones do wonders in presenting the central characters’ emotions in a way both intimate and fresh.
Adding to Under Fire’s prestige is the fact that the album,produced by Goldsmith with longtime recording engineer Bruce Botnick,was specially devised to showcase the score as a musical work untoitself. Goldsmith wrote two standalone selections for the record(tracks 1 and 7) and after completing the recording sessions in Londondecided to record additional overlays and linking material in LosAngeles. The record came out so well that many of the album mixes wereretroactively dubbed into the film itself.
Although the record does leave off some notable cues—such as thebrief, low-key main title and the equivalent film version of “BajoFuego,” no masters could be located anywhere, not even in archivalsound, to expand the album. (We hope collectors don’t “revolt”—ha ha.)This release features the U.S. CD debut of Goldsmith’s outstanding Under Firesoundtrack album so as to put this superlative work back intocirculation at an affordable price. (Existing CDs from Warner Bros.Records in Japan and Germany fetch import prices at best.) Thetwo-track 1/2” album masters have been newly mastered for this edition,and definitive liner notes are provided by Jeff Bond and Al Kaplanfeaturing archival interview comments by Goldsmith, new remarks byengineer Botnick, and a breakdown of all the film cues combined for thealbum tracks.


[ 本帖最後由 大佬John 於 2008-5-6 23:32 編輯 ]

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為何唔以complete形式出呢

大佬John

最尾段有提. 又係唔見左條master