本帖最後由 patrick@wong 於 2018-12-9 15:23 編輯
AnthonyIU 發表於 2018-12-9 13:13
八絞和原裝四絞根本完全兩回事！ 順滑透明，定位明確！的確接近1960s and 1950s. 低頻嗰種感覺真的好正啊 ...
For me after run-in 8 wires BS performance even superior to 4 wires 1960s and 1950s with more clean, balanced, musical, 3d, texture, treble extension, layering, micro details and harmonics. Especially in bass performance
本帖最後由 patrick@wong 於 2018-12-9 14:29 編輯
BerryChan@G 發表於 2018-12-9 12:19
前幾日去佐Lets店，試佐條8絞Black spirit配Fourte, 頂..... 絕配到呢一個点，仲好配過我條1960,甚至上次試 ...
BS8 + fourte perform really surpass 1950s + fourte with more balanced and details, 3d, texture and musical signature
patrick@wong 發表於 2018-12-9 13:28
BS8 + fourte perform really surpass 1950s + fourte with more balanced and details, 3d, texture and ...
how to compare with ccdd and BS8 with fourte?
patrick@wong 發表於 2018-12-9 08:32
Let me finish my Major project first....before go for Harmony
"Major Project? What is it?
Chubill 發表於 2018-12-9 19:35
"Major Project? What is it?
Mod my "Major" iem{:6_136:}
本帖最後由 patrick@wong 於 2018-12-10 09:33 編輯
Elvin_F 發表於 2018-12-9 19:15
how to compare with ccdd and BS8 with fourte?
CCDD is more transparent, grand signature, better separations and overall extension.....BS8 is solid, thicker and texture sound with very very deep and layering bass (quality both are in the same level) the signature are different becoz of different structure. Both have crazy micro details with 3d spacing
CCDD: Gold silver alloy
BS8: UPOCC
终於手術完成了……等解開封印
patrick@wong 發表於 2018-12-15 12:10
终於手術完成了……等解開封印
期待師兄包膠{:8_389:}
{:6_178:} 十分期待，看看Major仲可以點發展落去
本帖最後由 patrick@wong 於 2018-12-15 14:36 編輯
初步是我喜歡的取向……更接近speaker sound! 聲底改變了一些更清晰、通透、線條更清楚、高頻延伸更好、低頻去得更盡、質感強、層次空間感音場提升明顯！已ko了手上的Tia fourte{:6_136:}
不過可能喜歡濃厚中頻的燒友可能不是這種取向啊！
原來Major的機內線是銀線
